Sonic curator Yann Novak’s been buzzing and humming around Seattle spaces the last couple of years with a combo of installation art and field recording-based experimental electronica-cum-dronebient, accumulating a posse of kindred spirits as he goes. His Dragon’s Eye label and its roster have been quietly conducting various sonographies, as Novak’s space has opened out to extend beyond installation and studio to form an ever-growing hub around which avant-garde Seattleites have started to orbit.
– Darren Bergstein
Press
e/i Magazine
October 1, 2007