For all its lab-precise splice digi-science, any suggestion at the outset of starchy austerity in Sadeghi’s sonic processing is banished by the progessive build-up of a satisfyingly corporeal clout.

Smartly conceived album, one that draws the listener from beginning to its dying breath.

In diesen Werken untersucht der Künstler die Möglichkeiten, die rhythmische Punktierungen in dichten Klangflächen haben können, als innerere Antrieb und subtiles dynamisches Werkzeug.

I suoni ivi contenuti implodono e si sfasciano con un’enfasi fragorosa.

The polyrhythmic complexity on display here is strangely reminiscent of the tabla patterns of indian classical music…

As a whole the album thus canvasses an impressive spectrum of sound, using aleatory elements to dislodge certain residues of habit and enough structural elements to avoid absolute meltdown.

…Sadeghi is highly economical in the sounds he uses, building intricate percussive patterns and surprisingly infectious grooves from a simple set of clicks, buzzes and hums.

Minimal glitch electronics with pulsing beats that go slowly growing into shift rhythm, rough textures and dense layers of deconstructed sounds.

…a fascinating and exciting entry point to the world of Kamran Sadeghi…

In the digital twist and decomposition of rhythm, that emptiness breathes on its own. The electronic circuitry of sound pulses and twitches in a final dance of death.