“Breeze of Roses“ (Dragon’s Eye), on the other hand, leans more towards the sensual and tactile and makes for an ideal bridge between the early dronework of the the duo and their later tendency of zooming in on the natural timbres of acoustic instruments. It is also almost certainly the Celer album with the most original background story: Recorded in the refuge of a sailboat’s belly in the middle of a roaring rainstorm, the first draft already featured Cello parts and Piano passages. In the second phase, a full two years later, the piece was re-arranged and enriched with additional on-site field recordings. The outcome is a shimmering stream of pulsation, billowing and ebbing away in almost sensual patterns. It was to be the beginning of a fruitful relationship with the label, which had already scheduled „Dying Star“ for a 2010 street date.
– Tobias Fischer